Ophelia as a Foil to Shakespeares Hamlet Essay -- GCSE English Litera

Ophelia as a Foil to juncture In Shakespe bes tragedy, Hamlet, the auditory modality finds a docile, manipulated, scolded, victimise young lady named Ophelia. Ophelia is a foil to Hamlet. Plays have foils to help the audience better understand the more important characters in the coquette. The character of Ophelia is necessary so that the audience will give Hamlet a misadventure to get over his madness and follow his heart. Similarities ar an important routine of being a foil. One similarity that Hamlet and Ophelia share are that they both are children of controlling parents. SV - 1 Hamlets preceptor, who is murdered, comes back as a touch sensation to tell him who his murderer is. This news is his fetchs way of controlling him from the grave. Hamlets mother and stepfather are as well controlling him by persuading Hamlet not to go to Wittenburg. Ophelia is also controlled by her father. She tells him how Hamlet has tried many times to express his affections for her . Ophelias father does not accept Hamlet is sincere and orders her to stay away from him. Ophelia obeys her fathers wishes. Women were pass judgment to do as they were told and believed what they were told to be true. Another similarity between Hamlet and Ophelia is the feelings they have for each other. In the beginning of the spell, we are led to believe that Hamlet loves Ophelia. This frightens Ophelia, but that does not mean she does not have feelings for him also. It is her father who encourages her to suppress any feelings she may have then. Later in the play Ophelia confesses her love for Hamlet, and he then hides his feelings and denies that he loved her. He suggests that she go to a nunnery. This makes Ophelia feel worthless and not wanted. ... ... when Ophelia takes her life, Hamlet does just that. SS-1 He again admits to his love for her and apologizes to her brother Laertes for the death of their father. At the end of the play Hamlets madness is also brought to a n end, and he joins Ophelia again. Works Cited and Consulted Pennington, Michael. Ophelia Madness Her Only invulnerable Haven. Readings on Hamlet. Ed. Don Nardo. San Diego Greenhaven Press, 1999. Rpt. of Hamlet A Users Guide. New York Limelight Editions, 1996. Pitt, Angela. Women in Shakespeares Tragedies. Readings on The Tragedies. Ed. Clarice Swisher. San Diego Greenhaven Press, 1996. Reprint of Shakespeares Women. N.p. n.p., 1981. Shakespeare, William. The Tragedy of Hamlet, Prince of Denmark. Massachusetts Institute of Technology. 1995. http//www.chemicool.com/Shakespeare/hamlet/full.html No line nos.